Skip to main content

Orchestra Weekend

Can you tell I'm a big fan of ICanHasCheezburger?

My orchestra conductor looks nothing like this little guy, but he did ask for more volume from the string section from time to time this past weekend. We performed Mendelssohn's Elijah with a community chorus and a handful of soloists, and even though the audience was not as full as I would have liked, they seemed to really appreciate the concert.

As always, it was a treat to perform with the orchestra even though the horn section wasn't the focus. We did what we could to make ourselves known. I've mentioned this before, but when I first started playing with the group back when I was a complete novice, I would judge my personal performance with percentages. At the end of a concert, I would evaluate my playing and say, "well, at least I played 68% of the thing correctly." Sometimes I would be able to give myself an 80% rating or even a 90%. I'm not sure how I would judge my playing this time around—I could have been more accurate when aiming for random pitches, and once or twice I got lost in counting long stretches of rests with half a dozen tempo variations in the middle of them, but I didn't fall on my face. So, you know.

During one of the rehearsals, we noticed the chorus members were all wearing name tags. One of them said that was because they didn't all know each other and just wanted to be friendly. We in the brass section noted the clear distinction between the two groups—in the orchestra, we said, we don't care who the other people are. If we want to know someone's name, we'll look it up in the program.

Next up in April is a Wagner piece and Rachmaninoff's Piano Concerto #2. Come see.

Comments

I always think name tags are silly Robyn. If we want to know someone's name, we can ask them. What happened to old fashioned introductions? We don't need playground labels, surely.
Shan said…
That sounds about right though. I always had more of the choral personality. Chitty chatty chitty chat. In band I remember it was always much more serious. I did get in trouble one time for using my music stand to hold my mirror while putting on my mascara. Probably wouldn't do that now.

I like the Can has cheezburger stuff too. Silly kitties.
Sassy Sundry said…
Personally, I'd have worn the name tag, but written something like, "Smitten with the Conductor," or some other such thing.
dive said…
What an excellent concert, Robyn. I so wish I could go see you play. You'll have to persuade someone to video the concerts and put them on your blog. That would be cool!
Anonymous said…
Oh, I love the picture of the "conductor". hahaha!!! Name tags...it was Mel's idea I think because we see each other concert after concert and don't know everyone's names. Also, there were lots of new folks this time. Cool!
I agree with Dive, Robyn. How nice that would be to see and hear.

Popular posts from this blog

Classic Green Bean Bake

In anticipation of Thanksgiving, I feel I must post a recipe with plenty of good old American tradition. The classic Green Bean Bake was invented in 1955 by Dorcas Reilly, a home economist who worked for the Campbell's Soup Company. A study was done determining that 50% of all Americans have eaten the classic Green Bean Bake, and 38% of those believe it is best served during the holidays, mainly Thanksgiving. So, for the other 50% and for those in other countries where this dish may be unfamiliar--my treat: The Classic Green Bean Bake serves 6 to 8 1 can Campbell's Cream of Mushroom Soup 1/2 cup milk 1 teaspoon soy sauce Dash of fresh pepper 1 20-oz. bag frozen cut green beans, thawed* 1 2.8 oz can French-fried onions -Preheat the oven to 350 F -In a casserole dish, combine the soup, milk, soy sauce and pepper. Stir in the green beans and half of the onions. -Bake until bubbling, about 25 minutes. Top with the remaining onions and bake for 5 more minutes. Serve hot. *Or cook 1 ...

Bring On the Bombs

In today's edition : I generally try to keep on top of cultural trends even if I don’t adopt them, but there is a growing movement that I have only just discovered. Not long ago, I was walking along in Berkeley, California while visiting my daughter, and I saw a signpost that had been covered with yarn, like someone had sewn a knitted scarf to it. It was colorful and randomly striped, and I pointed it out as if it were the most unusual thing in the world. That’s when my daughter explained the nature of what is known as yarn bombing. It’s when knitters attach something they’ve created to a public object, most often doing their deed stealthily and anonymously. They leave a “bomb,” so to speak, for no other purpose than to brighten up the place and to bring a little cheer to those passing by. Their work has been equated with graffiti, except that the woven yarn is not permanently installed and does no damage to the object it covers. And instead of signifying the territory of a street ...

Cindy Loo Who In October

What is it with people and Cindy Loo Who? Of my last one hundred blog hits, forty have been direct visits from regular readers, and fifteen have been as a result of people searching for "Cindy Loo Who," the little pixie from Seuss's How The Grinch Stole Christmas . A couple of years ago, I posted an image of the original Seuss illustration as compared to the TV cartoon image, and for some reason, that post is bringing in the crowds, relatively. Maybe it's the weather. It isn't even November yet, and already we've had frost and have had to dust off our winter coats. When it gets cold like this, I start to think about Christmasy things like listening to Nat King Cole and decorating the tree. It's ironic because I am offended when retailers start pushing holiday stuff early, but I don't mind my own private celebrations. When my sister and I were much younger and still living with our parents, we would pick a day in July, close the curtains to darken the ...